Adam Lazarus
Versus
Meet Gerald Bloom: overcommitted, overworked, undervalued, overstimulated, undernourished, and pulled in a million directions by friends, family, work, politics, health and enlightenment. Today is Gerald’s birthday and he is up against everything. Everything is a fight. Welcome to Versus — Adam Lazarus’ next mind bending vision.
From the creative team that brought you Daughter and The Art of Building a Bunker, Versus is a bouffon-inspired experience that examines a common feeling in the world we believe we’re all grappling with: feeling overcommitted, overworked, undervalued, overstimulated, undernourished, & pulled in a million directions by friends, family, work, politics, health & enlightenment.
How on earth do we fucking manage? There isn’t even time to cry!
Following a narrative that is both real & surreal, Versus showcases the mundane horror of human existence. Life is funny. Life is not funny.
Adam Lazarus is an award-winning theatre creator, actor, director, and acting instructor whose work has been showcased nationally, in the United States, Australia and in Europe. Adam brings a dark and comic sensibility to all of his work and is known for dynamic and implicating solo performances, including the international thought disrupter Daughter; the radical race oration The Art of Building a Bunker (co-written with Guillermo Verdecchia), the vicious bouffon love play Wonderland, and his latest anxiety odyssey Versus (co-written with Verdecchia).
Adam has acted as a creation director and coach for countless actors, musicians, speakers, comedians, dancers and performance artists, helping them to spark and form characters and narratives, worlds and images. Notable credits include Other People by Daniel Brooks; The Appointment by Lightning Rod Special; No One’s Special at the Hot Dog Cart by Charlie Petch; Honey, I’m Home by Lester Trips.
Currently: Adam directed Jennifer Kidwell’s, We Come to Collect for the off-Broadway premiere in September 2025 (The Flea Theatre); Adam will be unrecognizable in the latest Lester Trips production, Public Consumption.
